creative ramblings & reverie

Thursday, May 7, 2020

Haiku Challenge, Week Four


My final week's responses to the #30DaysOfHaikuChallenge (see week one for details).  Thewildwords.com/haiku|NicoleGulotta


22  made you laugh

mountain goats roaming 
Welsh streets—past the tattoo shop,
the solicitors


23   seasonal shifts

just this afternoon
a splendid purple iris
took us by surprise

sparrows flown elsewhere,
and the coastal rocks empty
of pelicans still


24  pile of papers

bills — ticket refunds —
a Cezanne postcard never 
sent — last year's flax seeds

ticket refunds, last
year's birthday card to answer,
obituary

limone, pesca,
nocciola—gelatos
in an old story


25  tea or coffee

well-loved coffee mug—
its lip chipped years ago now, 
but still soothing mine 


26  lighting a candle

orange, palo santo:
a steady flame to cleanse my
writing space of ghosts

smoked birch and amber:
a small prayer, like burning sage
for clarity, health

sandalwood and myrrh:
fragrant as smudging sage to
clear a house of ghosts

Cedarwood, lighted
to clarify my thinking,
consecrate my words


27  on the road

dog ears fly in bliss
from the car window, heeding
asphalt whispers, wind

dog ears streaming from
the open window, hearing
what, that I can't hear? 


28  breath

Each breath outside brims
with birdsong, iris petals,
softly soughing pine.

Inspiration is 
literally "breathing in."
I breathe deep, deeper.

gauzy lengths of sky,
silver-shot scraps of ocean—
breathing it all in

the stooped old man feeds
ducklings—calls them, breath whistling,
like the Pied Piper

so hard to breathe, through
these protective layers:  no
clean, heartening air 
                                                                                                                                                                                                             
29  on your street

the sound of bagpipes
gone by now, where the piper
walked past to cheer us

our poppy patch draws
bees, small dogs, those needing cheer,
an artist's easel


30  through the window  

a rake on gravel
smoothing, soothing, evening
roughed pathways gently

corrugated roof
rusted, as in Hilo rains,
hibiscus haunted


image:  Christie B. Cochrell, Waterlily

Thursday, April 23, 2020

Haiku Challenge, Week Three



My third week's responses to the #30DaysOfHaikuChallenge (see week one for details).  Thewildwords.com/haiku|NicoleGulotta


15  thoughts while cooking

Old desert healing:
red chile pods, ground fine, pure,
like artists' pigments.

childhood smells linger:
simmering meat, chopped garlic,
taco spices, joy


16 pets

little turtles kept
once, terribly fragile in
their stony green shells


17 front yard view

Chartreuse living room:
the hundred-and-two-year-old
artist's, our neighbor.

Blissful ravishment
of poppies, liquid sunbeams 
pooled in every one.
  

18  back yard view

two ducks follow a
stooped old man with walking sticks:
jubilant parade


19  thoughts while cleaning

Dustcloth in hand, I'm
taking time for things I love.
Candlestick, shell, drum. 


20  trees

morning rain blesses
every thirsty needle of
the Monterey pine


21  morning breakfast

apricot preserves
evoke the old tree shading
my childhood bedroom

Moroccan fried eggs
behind the big museum
one year in New York



image:  Christie B. Cochrell, Wet Pine

Tuesday, April 14, 2020

Haiku Challenge, Week Two



My second week's responses to the #30DaysOfHaikuChallenge (see my previous post for details).  Thewildwords.com/haiku|NicoleGulotta


8  hope

Trusting sparrows slip
onto the deck, not doubting
seed will reappear.


9  someone you love

Feeding me oranges . . . 
Paul McCartney with bagpipes . . .
my sunny soulmate.


10  plant friends

Sage, blooming purple
on my sheltered deck, evokes
far Cretan hillsides.

Philodendron leaves
pivot toward the light, just
as my spirit does.


11  a photograph (mine of Canterbury)

old stone and blue glass
in the cloister once welcomed
"those who journey here"


12  something you long for

Wandering favorite
cities—abbeys, gardens, shops,
books full of old words . . .

Saints beckoning us,
and music, and gold-hearted 
beads—Murano glass.

the chilly church with 
Murano glass chandeliers,
prayers for boatmen, all

Gilded saints, cellos,
and strands of gold and green glass 
beads, carrying light.

Strands of green and gold
glass beads in lighted shops, once,
holding off the dark.

Hands making music,
shucking oysters, pouring rum—
old New Orleans, gone.

(feeling hugely nostalgic for our European travels, after watching Andrea Bocelli's Easter concert from the Duomo in Milan, and views of all the empty cities; also for Italian composers and opera singers from days gone by)


13  birds

an oriole comes—
some kind of wayward magic,
drawn here by a fluke

yellow oriole
appears unlooked for here—far 
from his desert haunts

yellow oriole
appears out of nowhere—chance
avian blessing

(some days are more indecisive than others)


14  on a walk

keeping my distance
from the dogs I always love
frisking around me

watching for swallows
over the coastal meadows,
weeks late to arrive

the coastal meadows
locked away now, just beyond
this adamant gate

Planting snapdragons,
clay pot between her bare feet, 
grandmother of three.


image:  Christie B. Cochrell, Wild Iris




Tuesday, April 7, 2020

Haiku Challenge, Week One



I have accepted this invitation to write one haiku a day this month that celebrates poetry—

#30DaysOfHaikuChallenge

"This is an invitation to notice.  We're all moored in our homes and neighborhoods now—let's elevate the ordinary and find meaning in the mundane...."

I'm sharing my week, in haiku.  A kind of tiny journal, which has reminded me of my always wanting to add all of the detail, a wealth of reminiscences and trains of thought traversing whole countries.  And the 5-7-5 pattern doesn't come easily to me; it feels often clunky, arrhythmic.  But it it a meditative discipline, perhaps more so than any other, and I've always loved the haiku form when done right by others.


1.  through the window

iridescence steeps
from bathing pigeons—feathers
oozing purples, greens  


2.  around the house

Soft red flannel horse
sewed for a child with love, once,
pastured on a shelf.


3.  thoughts while driving

The ocean, dazzling,
impartially considers
dogs, dogwalkers, all.


4. nourishing meal

Potatoes simmer,
steaming the kitchen windows,
blurring what's outside.


5.  spring light

Rain-darkened morning.
What light there is, quicksilver,
pooled in the birdbath.


6. mediation on flowers

blue wisteria
throws itself wantonly off
the staid old gray deck


7. while folding laundry

spiteful fitted sheet
refuses to lie still, ends
as this runkled ball




 image:  Last Year's Blossoms, Christie B. Cochrell

Wednesday, April 1, 2020

Sea-swallowed



My short story "Sea-Swallowed," inspired by the shipwreck on the rocks at the end of our road a year or two ago, has been published in The Writers Circle Anthology 2, whose theme is Ends, by Canadian publisher Prime Press.

Stella, the heroine, lives close to here as well, and studies Ocean Sciences at UCSC, though her family's back at home in Wiltshire, England.  The shipwreck mirrors life-changes out of Stella's control.

"Watching the commotion as she waited on the bluff for Bengal—Benjie—her Cardigan Welsh Corgi with his brindle (tiger-striped) coat, for once supremely indifferent to the human events, she heard the awful grating, grinding of the hull against the rock the fishing boat was hung up on, the pitiless waves, onslaught after onslaught, breaking it to pieces.  The noise and morning cold and foretaste of fatality rasped on her tender skin, chafed even in her lambswool-hooded coat."



image:  trying to identify artist

Wednesday, March 25, 2020

The Seine at Vernonnet



Another of my poems, "The Seine at Vernonnet," appears in the Spring 2020 issue of Halcyon Days Magazine.

Along with the poem "Amandier en fleurs," in the Fall 2018 issue of Birdland Journal, and short prose pieces "Bonnard in the Alps" and "Studio with Mimosa" in The Ekphrastic Review (April 29 and May 11, 2019, respectively), this reflects my life-long love of artist Pierre Bonnard and the inspiration he offers.

Here, I write about the Bonnard
greens and oranges and 
moments of that rapturous blue 
I could drown in,
sometimes with a little boat.



image:  Pierre Bonnard, La risée sur la rivière, Christie's (but alas, not this Christie's!)

The Blessing of the Animals



My poem "The Blessing of the Animals" was just published in the Spring 2020 issue of Halcyon Days Magazine.

Here are a few lines from it:
And I see people coming up the path outside 
the ruddy brick church in the reverential sunlight, 
bringing their spaniels, their dim-sighted 
old Airedale terriers; one child and her father 
carrying between them a brown rabbit in a cage.