Words, how I loved you
Then—when I
Was young
And you led me
Out of the dark!
How I love you now
Even more,
As the dark approaches.
(#14 of 15 parts, Gregory Orr, “Ode to Words”)
image: Christie B. Cochrell, Ashmolean Museum
poetry&prose
creative ramblings & reverie
Words, how I loved you
Then—when I
Was young
And you led me
Out of the dark!
How I love you now
Even more,
As the dark approaches.
(#14 of 15 parts, Gregory Orr, “Ode to Words”)
image: Christie B. Cochrell, Ashmolean Museum
A ti leaf offering is a sacred package wrapped in ti leaves and placed at a significant location to honor ancestors, loved ones, or scared beings.
But for those who are not conversant with what’s appropriate in context, in Native Hawaiian culture,
“The most appropriate offering that any person can make can be made without any tangible item being left behind. The most perfect offering is one’s aloha, ha, and olelo. To love a place, and breathe out that love in the form of a spoken promise to cherish and protect it, that is the most perfect offering.”
(Leilehua Yuen, from “Ho`okupu – Offerings”)
“How should we be able to forget those ancient myths that are at the beginning of all peoples, the myths about dragons that at the last moment turn into princesses; perhaps all the dragons of our lives are princesses who are only waiting to see us once beautiful and brave.”
—Rainer Maria Rilke
Books of Hours, books of waning years . . .
images:
. Liber Floridus (“Book of Flowers”), a medieval encyclopedia compiled between 1090 and 1120 by Lambert, Canon of Saint-Omer
. Book of Hours and Prayer Book, Southern Netherlands, c. 1490-1500 (Picryl, Public Domain Image Search)
. Liber Floridus
"Va, pensiero, sull'ali dorate . . . "
(Go, thought, on golden wings)
—Temistocle Solera, for Verdi's Nabucco
image: Franklin Booth, Giving Wings to Words
How I go to the woods
Ordinarily, I go to the woods alone, with not a single
friend, for they are all smilers and talkers and therefore
unsuitable.
I don’t really want to be witnessed talking to the catbirds
or hugging the old black oak tree. I have my way of
praying, as you no doubt have yours.
Besides, when I am alone I can become invisible. I can sit
on the top of a dune as motionless as an uprise of weeds,
until the foxes run by unconcerned. I can hear the almost
unhearable sound of the roses singing.
If you have ever gone to the woods with me, I must love
you very much.
—Mary Oliver
image: John Stoehrer, Girl Writing Outdoors
"A daydreamer is a writer
just waiting for pen and paper."
—Richelle E. Goodrich
image: William Merritt Chase,
Woman with Crimson Parasol
Spring is like a perhaps hand
(which comes carefully
out of Nowhere)arranging
a window,into which people look(while
people stare
arranging and changing placing
carefully there a strange
thing and a known thing here)and
changing everything carefully
spring is like a perhaps
Hand in a window
(carefully to
and fro moving New and
Old things,while
people stare carefully
moving a perhaps
fraction of flower here placing
an inch of air there)and
without breaking anything.
e.e. cummings
image: Daniel F. Gerhartz, Writing Home
James Merrill wrote in his memoir, A Different Person (1993), about visiting a doctor about his depression, saying that he didn't know how to live or how to love, he just knew how to write a poem. The doctor, he said, "listened closely, then acted with undreamed-of kindness and dispatch. 'Come with me,' he said, in a flash ushering me out of his downtown office and onto the back seat of a smart little pale-green motorscooter. I put my arms, as instructed, about his stout, gray-suited person, and off we went in sunlight, through traffic, under trees, past architecture, over the muddy river to lunch." (The Writer’s Almanac, 3/3/3)Our hope is that this collection of writing will give readers the same je ne sais quois that brief but immense lunchtime voyage gave us—encouragement for going on; inspiration to do something simply good for ourselves each ordinary day; a smile; a moment of respite or recognition; time out from global numbing; a pause for weirdness, wonder, and delight. We want to share what gives us pleasure or some keener satisfaction putting down as well as picking up.