Monday, May 28, 2012
Writing Spaces
One of my favorite spots to sit in Mallorca while working on my novel and consulting Robert Graves, who lived part way across the island. (Consulting his Greek Myths, that is.)
image: Christie B. Cochrell, Cushions, Mallorca
Graves's Grave
He climbed back up and up and up
the higher trail, along the olive terraces—the olive trees they graft onto wild
olives, for strength; the silvered trees hoary, druidic, wise; the twisted
trees like arthritic old men on their many-layered terraces of drystone.
He liked to think of Gabriel Garcia Márquez visiting Robert Graves (not
just all of the movie stars) in the house Gertrude Stein suggested Graves buy
on the outskirts of the village of Deià.
And then he visited the grave. He paid his respects at least twice a
year. Robert Graves, poeta. He’d seek out the simple gravestone just as the light was
going and the names could scarcely be made out. Marti, Colom, Maroiag, the local families. He’d be alone in the small walled
graveyard behind the church on the hill (d’es Puig), the highest point of the
village, trying to identify the source of the goat bells that carried so
clearly from across the valley, somewhere among the steep stone terraces, the
olive trees. No goats that he
could see; only the dead poet, his stone surrounded by white lilies. He
was always moved by the simplicity of it.
E.P.D., En Paz Descanse.
—Christie
(On Memorial Day, remembering a visit to the grave of the
collector of the myths who’s been important to me in my novel that talks so
much about them. This passage from
the long short-story I have still not finished about the detective in Mallorca,
The Mirror.)
Thursday, May 24, 2012
Writing Spaces
The perfect garden chair, in Santa Fe, perfectly placed for jotting down lazy spring dreams.
image: Christie B. Cochrell, Snowballs, Canyon Road
Unfinished Haiku
In the
wind a bride,
anchored
by her husband’s hand.
A haiku, never finished, in an old notebook.
I wonder how I might have finished it?
A kite
now airborne.
Or in a different mood, a kite not airborne.
Even a single letter changes everything,
depending on my leniency—or whim.
—Christie
Monday, May 7, 2012
Nesting
Getting ready to leave on a long trip,
I’m conscious of being grounded by
the pale green lichen on a branch with rough bark
the smooth richness of Greek fig yogurt.
I prowl around the drugstore, looking for
potions, talismans.
potions, talismans.
Black mascara, rye crisp, miniature tubes of
Colgate Whitening,
Colgate Whitening,
the momentary temptation of a nailpolish
the color of the blue against the evil eye.
(I love to travel, so it’s got nothing to do with that.)
With me I take lavender to lay among my clothes,
two British mysteries I’ll read cover to cover
on the planes,
on the planes,
stories and poems I’m working on, in a
maroon folder,
maroon folder,
in case my muse deigns to take off her earbuds
and talk to me.
and talk to me.
My favorite flannel nightgown with its seven
white buttons.
white buttons.
A compact quarter-pound of Peet’s French roast
decaf, Melita grind.
decaf, Melita grind.
Coming home again, I must first wander
through the house,
through the house,
turn on the heaters, microwave my purple striped
beanbag,
beanbag,
make tea in both teapots to go in the refrigerator
for tomorrow,
for tomorrow,
fill the bird bath, water my lime tree since it
looks like it hasn’t rained.
looks like it hasn’t rained.
And after all these homecoming rituals,
start to miss being away.
start to miss being away.
—Christie
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